VSK TN
He gave
us back our dignity
us back our dignity
Prema Nandakumar
SOURCE OF INSPIRATION: Swami
Vivekananda faced innumerable difficulties and disappointments in moves towards
women’s empowerment and caste equality, but he won in the end.
Vivekananda faced innumerable difficulties and disappointments in moves towards
women’s empowerment and caste equality, but he won in the end.
Does one write deliberately as a
woman or man when taking up pen and paper? I do not know. But right now, I am
writing as an Indian woman. The Indian woman who has held up the torch of
cultured living for millennia through self-sacrifice, incredible feats of
physical and mental endurance and abiding compassion. I know that the pen is a sacred
object; if used unthinkingly as Sanjay Srivastava has done (The Hindu,
Op-Ed, “Taking the aggression out of masculinity,” January 3,
2013), it might do more harm than good to the position of women in India.
woman or man when taking up pen and paper? I do not know. But right now, I am
writing as an Indian woman. The Indian woman who has held up the torch of
cultured living for millennia through self-sacrifice, incredible feats of
physical and mental endurance and abiding compassion. I know that the pen is a sacred
object; if used unthinkingly as Sanjay Srivastava has done (The Hindu,
Op-Ed, “Taking the aggression out of masculinity,” January 3,
2013), it might do more harm than good to the position of women in India.
Two portraits have been constant
companions in my longish life as a housewife and writer. They have both infused
in me the needed strength to face life despite scores of disappointments,
frustrations and tragedies. One is the figure of Bharat Mata, rider on the
lion, as though telling me: are you a weakling? You are as strong as this land,
endowed with hurrying streams and gleaming orchards. Never give up! I learnt
the connection between nature and the Indian woman when I read Sita say in
Kavisamrat Viswanatha Satyanarayana’s Sri Ramayana Kalpavrikshamu that
she has no fear of rivers and forests. Is she not the child of Mother Earth?
companions in my longish life as a housewife and writer. They have both infused
in me the needed strength to face life despite scores of disappointments,
frustrations and tragedies. One is the figure of Bharat Mata, rider on the
lion, as though telling me: are you a weakling? You are as strong as this land,
endowed with hurrying streams and gleaming orchards. Never give up! I learnt
the connection between nature and the Indian woman when I read Sita say in
Kavisamrat Viswanatha Satyanarayana’s Sri Ramayana Kalpavrikshamu that
she has no fear of rivers and forests. Is she not the child of Mother Earth?
The other portrait has been that
of Swami Vivekananda, with the caption: “Strength is life: weakness is death.”
It is a message for men and women of India. Yes, indeed it was Swami
Vivekananda who gave us back our dignity as women, our education, our strength
of purpose and reminded us again that no woman is a zero. Inspired by him, a
host of social reformers all over India opened a new, glorious page for Indian
women. They educated themselves, took part in the Gandhian movement in vast
numbers and became equal partners in work everywhere. Interestingly enough,
they preferred not to jettison the received tradition that had helped them all
along not go down under during the dark centuries in the past.
of Swami Vivekananda, with the caption: “Strength is life: weakness is death.”
It is a message for men and women of India. Yes, indeed it was Swami
Vivekananda who gave us back our dignity as women, our education, our strength
of purpose and reminded us again that no woman is a zero. Inspired by him, a
host of social reformers all over India opened a new, glorious page for Indian
women. They educated themselves, took part in the Gandhian movement in vast
numbers and became equal partners in work everywhere. Interestingly enough,
they preferred not to jettison the received tradition that had helped them all
along not go down under during the dark centuries in the past.
Hence, when I opened the Op-Ed
page of The Hindu on January 3 and saw the familiar portrait of Swami
Vivekananda and the photograph of young ladies full of the joy of life
performing a ritual, I began reading the article. Certainly, the editor of the
page had succeeded in drawing the immediate attention of readers. After I began
reading it, I realised how childish an academician can be, and how cobwebbed
his mind is when studying the history of the Indian society. After a good bit
of verbiage trying to sound knight-errantish by repeating the word masculine,
the author makes the pompous (almost laughable) statement: “Swami Vivekananda’s
masculine photographic-pose was only one aspect of the cult of masculinity
encouraged and tolerated by nationalism.”
page of The Hindu on January 3 and saw the familiar portrait of Swami
Vivekananda and the photograph of young ladies full of the joy of life
performing a ritual, I began reading the article. Certainly, the editor of the
page had succeeded in drawing the immediate attention of readers. After I began
reading it, I realised how childish an academician can be, and how cobwebbed
his mind is when studying the history of the Indian society. After a good bit
of verbiage trying to sound knight-errantish by repeating the word masculine,
the author makes the pompous (almost laughable) statement: “Swami Vivekananda’s
masculine photographic-pose was only one aspect of the cult of masculinity
encouraged and tolerated by nationalism.”
What the picture represents
Actually Prof Srivastava can sit
down with a whole portfolio of all the available photographs of the Swami and
peruse each one of them. He will not find even one which will fit in with his
boorish description. The one used for the article has eyes gazing with
compassion at the sorrows inflicted upon Indian women, and a determination to
help them overcome it. He had travelled all over India as a parivrajaka and
endured untold hardships and realised that two things in Indian society needed
immediate rectification: the condition of women and the condition of Dalits.
Towards achieving women’s empowerment and caste equality he faced innumerable
difficulties and disappointments but he won in the end. He was able to teach
even the westerners to look upon women as mothers. According to him, women were
not playthings for men, and women’s problems could be solved by true education,
which was, according to him, “… a development of faculty, not an accumulation
of words, or as a training of individuals to will rightly and efficiently. So
shall we bring to the need of India great fearless women — women worthy to
continue the traditions of Sanghamittra, Lila, Ahalya Bai, and Mira Bai — women
fit to be mothers of heroes, because they are pure and selfless, strong with
the strength that comes of touching the feet of God.”
down with a whole portfolio of all the available photographs of the Swami and
peruse each one of them. He will not find even one which will fit in with his
boorish description. The one used for the article has eyes gazing with
compassion at the sorrows inflicted upon Indian women, and a determination to
help them overcome it. He had travelled all over India as a parivrajaka and
endured untold hardships and realised that two things in Indian society needed
immediate rectification: the condition of women and the condition of Dalits.
Towards achieving women’s empowerment and caste equality he faced innumerable
difficulties and disappointments but he won in the end. He was able to teach
even the westerners to look upon women as mothers. According to him, women were
not playthings for men, and women’s problems could be solved by true education,
which was, according to him, “… a development of faculty, not an accumulation
of words, or as a training of individuals to will rightly and efficiently. So
shall we bring to the need of India great fearless women — women worthy to
continue the traditions of Sanghamittra, Lila, Ahalya Bai, and Mira Bai — women
fit to be mothers of heroes, because they are pure and selfless, strong with
the strength that comes of touching the feet of God.”
Not ‘male-worship’
Such inspiration flowing from him
through the nationalist movement laid the red carpet welcome to women to join
the Gandhian movement, removing fear and ignorance which had imprisoned them
till then. It was Swami Vivekananda who brought to India committed women like
Sister Nivedita and Sister Christine whose work for women’s education was truly
monumental. Not only has the Indian woman received education but she also knows
what is good for her, in inherited culture. As for Prof. Srivastava’s
characterisation of Karva-Chauth as male-worship, does he not know that
when Sister Subbulakshmi Ammal founded the Sarada Home (Widow’s Home) in 1912
at Madras, one of the works she made her inmates study was the story of Savitri
and Satyavan in the Mahabharata? It was because, herself a child widow, she
found that Savitri empowered herself before facing Yama by a tri-rattra
vrata which was a discipline of meditation, yoga, studies and rituals. In
the same way, Sister Subbulakshmi wanted the inmates to empower themselves with
education and self-discipline to face life which was very harsh to the widow of
those days. Celebrations of joy and the reaffirmation of holy ties is not
male-worship. Such attempts to degrade beautiful traditions is a perversion of
the mind. Is tying a rakhi to a brother to be considered as
male-worship?
through the nationalist movement laid the red carpet welcome to women to join
the Gandhian movement, removing fear and ignorance which had imprisoned them
till then. It was Swami Vivekananda who brought to India committed women like
Sister Nivedita and Sister Christine whose work for women’s education was truly
monumental. Not only has the Indian woman received education but she also knows
what is good for her, in inherited culture. As for Prof. Srivastava’s
characterisation of Karva-Chauth as male-worship, does he not know that
when Sister Subbulakshmi Ammal founded the Sarada Home (Widow’s Home) in 1912
at Madras, one of the works she made her inmates study was the story of Savitri
and Satyavan in the Mahabharata? It was because, herself a child widow, she
found that Savitri empowered herself before facing Yama by a tri-rattra
vrata which was a discipline of meditation, yoga, studies and rituals. In
the same way, Sister Subbulakshmi wanted the inmates to empower themselves with
education and self-discipline to face life which was very harsh to the widow of
those days. Celebrations of joy and the reaffirmation of holy ties is not
male-worship. Such attempts to degrade beautiful traditions is a perversion of
the mind. Is tying a rakhi to a brother to be considered as
male-worship?
If Professor Srivastava wants
examples of macho icons, let him seek them in the likes of Dasaratha, who sport
many wives. They are a dime a dozen today. If he wants portraits on the same
subject, he can have his choice from the various glossy advertisements for
men’s vests and motorcycles. He ought to know that serious sociological
research is not achieved by mudslinging.
examples of macho icons, let him seek them in the likes of Dasaratha, who sport
many wives. They are a dime a dozen today. If he wants portraits on the same
subject, he can have his choice from the various glossy advertisements for
men’s vests and motorcycles. He ought to know that serious sociological
research is not achieved by mudslinging.
(Prema Nandakumar is a renowned Sanskrit scholar
and Indologist.)
and Indologist.)
A note to readers
Over the past few days, we have
received emails, representations and letters objecting to the reference to
Swami Vivekananda and the use of his photograph in the article ‘Taking the
aggression out of masculinity’ (January 3, 2013). We have published several of
these. We wish to reiterate that the views in the article are those of the
author and not of The Hindu. The photograph was used only to illustrate a
specific reference made in the article. Any offence caused to readers was
inadvertent and is regretted.
received emails, representations and letters objecting to the reference to
Swami Vivekananda and the use of his photograph in the article ‘Taking the
aggression out of masculinity’ (January 3, 2013). We have published several of
these. We wish to reiterate that the views in the article are those of the
author and not of The Hindu. The photograph was used only to illustrate a
specific reference made in the article. Any offence caused to readers was
inadvertent and is regretted.
Siddharth Varadarajan
Editor, The Hindu
3 thoughts on “Source of Inspiration – Swami Vivekananda”